Irin

IRIN is a Granular/Micromontage Max msp standalone application designed by Carlos Caires to enable the sequencing, spatialization, and micro-editing of sound sequences on a multilevel approach (Figure, Meso-structure, Timeline).

IRIN is currently available for MacOs and Windows.

 

Irin Overview
Irin overview
Timeline
Sample Editor
Figure Editor
Offspring Figure
Audio Matrix

Publications

Caires, Carlos: 2004 "IRIN: Micromontage in Graphical Sound Editing and Mixing Tool"
Conference: International Computer Music Conference, Volume: PROCEEDINGS OF THE INTERNATIONAL COMPUTER MUSIC CONFERENCE; 30; 219-222 Computer music; ICMC 2004 30th:; International conference, Computer music; ICMC 2004

Citations

Articles:

Blackburn, M. (2019). Working with brevity: Short soundfiles in electroacoustic composition. International Computer Music Conference Proceedings.

Lorenzo, Mario. Composition des figures en tant que sequences d'evenements finies declarees comme variables d'environnement. Proc. of Journées d'Informatique musicale, 2016.

Vesic, Marina. Lopes, Diogo, (2015). Electrical Impulses.  EVA '15 Proceedings of the Conference on Electronic Visualisation and the Arts, Pages 138-139, London, United Kingdom — July 07 - 09, 2015

Aaron Einbond, Christopher Trapani, Andrea Agostini, Daniele Ghisi, Diemo Schwarz. Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for Max. International Computer Music Conference (ICMC), Sep 2014, Athens, Greece. pp.1-1, 2014.

ROADS, Curtis (2012). From Grains to forms, in Makis Solomos, (ed.), Proceedings of the international Symposium Xenakis. La musique électroacoustique / Xenakis. The electroacoustic music (université Paris 8, May 2012).

JETTE, Christopher (2011). In Vitro Oink: A Composition for piano and wii-remote. eContact! 13.2 — Keyboards + Live Electronics: The Performer's Perspective / Claviers + “live electronics”: La perspective de l’interprète (April / avril 2011). Montréal: Communauté électroacoustique canadienne / Canadian Electroacoustic Community.

Lanzalone, Silvia. “Suoni Scolpiti e Sculture Sonore: Alcuni Esempi Di Installazioni d’Arte Elettroacustica.” Atti Del XVII Colloquio Di Informatica Musicale , 2008.

BROSSIER, P. M. (2006). “Automatic annotation of musical audio for interactive applications” (Doctoral dissertation). Centre for Digital MusicQueen Mary, University of Londonunder the Direction of Dr.  Mark Plumbley and Prof.  Mark SandlerExternal Examiners Prof.  Eduardo R. Miranda and Dr.  Michael Casey

de SOUSA DIAS, A., & Ferreira-Lopes, P. (2005). Kitty: a package for External patches Communication Management in Max/MSP-a Progress Report. In ICMC.

ROADS, Curtis (2005). The Art of Articulation: The Electroacoustic Music of Horacio Vaggione. Contemporary Music Review, Vol. 24, No. 4/5, August/October 2005, pp. 295 – 309

Books:

SOLOMOS, M. (2019). From music to sound: the emergence of sound in 20th- and 21st-century music. New York: Routledge.

ROADS, C. (2015). Composing electronic music: A new aesthetic. Oxford: Oxford University Press.

SOLOMOS, M. (2007). Espaces composables: Essais sur la musique et la pensée musicale dHoracio Vaggione. Paris: Harmattan.

 

cairesirinWS

 Irin Workshop at Festival DME LIsbon

Check Carlos Caires's personal website

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